Pub history
Lloyds No.1 Bar
Where did the name Lloyds No.1 originate?
Situated at the top of Carlton Street, this site has been occupied for centuries. Mr Gregory’s house was built here in 1674, on the site of an even older mansion. In 1810, Ichabod Wright moved his bank into part of Mr Gregory’s mansion, where a new banking house was built in c1860. Wright’s Bank was absorbed by the Capital and Counties Bank, later taken over by Lloyds. The bank closed in 1995 and became the Lloyds No.1 Bar.
Prints, illustration and text about Joseph Southall
The text reads: Joseph Edward Southall, (23 August 1861 – 6 November 1944), a leading painter in the Arts and Crafts movement in England, was born in Nottingham in 1861. His father, also Joseph, was a prominent local Quaker and grocer. He died, aged only 27, a little over a year after Joseph was born, and the young Southall and his mother moved to Edgbaston, Birmingham, to live with his mother’s family.
Joseph led the 19th-century revival of painting in tempera. He became the leader of the Birmingham Group of Artist-Craftsmen – one of the last outposts of Romanticism in the visual arts, and an important link between the later Pre-Raphaelites and the turn-of-the-century Slade Symbolists.
Southall was born a Quaker and remained one throughout his life. He was an active socialist and pacifist, initially as a radical member of the Liberal Party and later of the Independent Labour Party. His life was summed up in the Dictionary of National Biography thus: ‘In his life Southall brought together the gathered stillness of a Quaker meeting, the jewelled calm of tempera painting, and the peace sought by pacifism.’
Picture above: ‘Beauty Seeing the Image of her Home in the Fountain’ (from Beauty and the Beast)
Top: Study for ‘Bacchus and Ariadne’, c1912
Left: ‘Hortus Inclusus’ (Garden Enclosed), 1898, depicting Southall’s future wife Anna Elizabeth
Above: Self-portrait, 1918
A print and text about Lord Byron
The text reads: One of Britain’s greatest Romantic poets, Lord Byron was famously described by his lover, Lady Caroline Lamb, as “mad, bad and dangerous to know”. The influential and widely read poet was almost as well known for his lifestyle as his poetry.
Born in London, in 1788, Byron lived with his mother, between 1803 and 1808, in nearby Southwell. At the age of 10, he inherited the Newstead estate and moved into Newstead Abbey, on the outskirts of Nottingham.
When he was a boy, his great aunt, Frances Byron, lived in Pelham Street, only metres from this Lloyds No.1 Bar. It was here he wrote the verse about the old lady who lived in Swine Green (as the area around this bar was known for centuries).
Above: Silhouette of Byron by Mrs Leigh Hunt, c1822
Prints of the Byron family
Top, left: Newstead Abbey during the residence of Lord Byron
Bottom, left: Byron as a boy
Middle: Lady Caroline Lamb
Right: A sequence of images of Byron from 1795 to 1817
Photographs and text about Watson Fothergill
The text reads: For about 35 years, Watson Fothergill was one of the leading local architects of his day. Between about 1862 and 1906, Fothergill designed more than 100 hundred building in and around Nottingham.
Fothergill’s work included banks, churches, shops, public houses, warehouses and private houses (30 or so are in the Park estate), many of which have survived. His eye-catching buildings featured towers and turrets, along with distinctive red and black brickwork.
In 1893, Fothergill built himself new offices at 15–17 George Street. The flamboyant Gothic-style listed building is only a few steps from the premises that you are now in.
Above: Watson Fothergill’s office in George street
Top, right: Interior of Fothergill’s Albert Hall, c1905. The Hall seated 2,500 and had a wonderful acoustic
Right: Looking from the cathedral side of North Circus Street towards the Albert Hall, Fothergill’s first major commission, c1905
Far right: Jessop’s Building in King Street by Watson Fothergill, 1898
A photograph of Watson Fothergill, c1885
Photographs and text about 1 Carlton Street
The text reads: The building now occupied by this Wetherspoon free house was formerly the Carlton Street branch of Lloyds Bank. It opened in 1860 as the head office of Wright’s Bank, which became part of Lloyds in 1918. The bank was founded by Ichabod Wright, an ironmonger and timber-merchant, at his Long Row premises in 1760. The banking business was moved to this site in 1795
At that time, Carlton Street was called Swine Green, taking its name from an open space beside Broad Street, marked by Nottingham’s Headless Cross, the earliest site of the famous Goose Fair.
Above: Exterior of 1 Carlton Street, c1898
Right: Interior of the Carlton Street branch of Lloyds, c1920
Top, right: A crowd gathered outside this site in 1899
A photograph of 1 Carlton Street, c1900
Illustrations, photograph and text about Dudley Dexter Watkins
The text reads: The cartoonist Dudley Watkins was born in 1907. His family moved to Nottingham while he was still a baby. His father, a lithographic print artist, noting his son’s precocious talent, sent him to art classes at the Nottingham School of Art. By the age of 10, the local newspaper declared him a ‘schoolboy genius’. He studied at Nottingham School of Art, then worked for Boots, where his first published artwork appeared in the staff magazine.
In 1924, Watkins entered the Glasgow School of Art. He was recommended to the publisher DC Thomson, and moved to Dundee to illustrate Thomson’s ‘Big Five’ story papers for boys (Adventure, Rover, Wizard and later Skipper and Hotspur).
In 1933, Watkins turned his hand to comic-strip work. He co-created what would become his most famous characters, Oor Wullie and The Broons, who first appeared in 1936. He was soon illustrating the Desperate Dan strip for the Dandy comic, launched in December 1937. His workload was further increased when DC Thomson created the Beano in 1938, in which Watkins drew the Lord Snooty strip. When the Beezer and Topper were launched in the 1950s, Watkins was responsible for illustrating the Ginger strip (based largely on Oor Wullie) and the Mickey the Monkey strip. Watkins’ strip Jimmy and His Magic Patch ran for 18 years. He continued working with DC Thomson for the rest of his life. On 20 August 1969, he was found dead at his drawing board, victim of a heart attack.
Top: Oor Wullie
Above, left: Dudley Watkins drew himself in this episode of Lord Snooty
Above, right: Lord Snooty and His Pals
Left: Dudley Watkins
Right: The Beano comic from 14 January 1948, drawn by Dudley Watkins
A photograph and text about the Goose Fair
The text reads: This photograph shows the scene looking northwest towards Forest Road and Mansfield Road.
The Goose Fair was originally held in Market Place for eight days of October, reduced to five days in 1876.
It was first mentioned in the Nottingham Borough Records of 1541, though it was probably in existence much earlier than this.
The fair grew and gradually spread to other streets around the market, and, with the growth of traffic, there were complaints about congestion and disruption in the city. Eventually, the Goose Fair was moved to the Forest Recreation Ground, about a mile north of Old Market Square, where it is still held today.
Prints and text about banknotes
The text reads: Paper currency was first used over 1,000 years ago in China. However, the idea was not taken up in the West until 500 years later.
In England, loans were made by goldsmiths, whose vaults held coinage as well as bullion. They acted as bankers, issuing notes and cheques against deposits.
The Bank of England was founded in 1694. Its oldest-known printed note, for £555, is dated five years later.
Private banks such as Wright’s Bank, which traded from premises on this site for most of the 19th century, also issued notes and cheques. The last private English bank to issue notes lost the right to do so In 1921, when it was taken over by Lloyds.
The Bank of Scotland, set up a year after the Bank of England, was the first to issue £1 notes, in 1704. Scots and Northern Irish banks issue notes, as the Bank of England’s monopoly covers only England and Wales.
Several £1,000,000 Bank of England notes exist, but they were for internal use. £1,000 notes, the highest-value to be publicly circulated, were withdrawn in 1945, but over 100 are still in private hands.
At the other end of the scale, the Bank also issued notes worth 8,000 times less. These half-crown (12.5p) notes, dating from 1941, are rare and valuable.
Illustrations and text about Swine Green
The text reads: The building now occupied by this Lloyds No.1 bar was formerly the Carlton Street branch of Lloyds Bank. It opened in 1860 as the head office of Wright’s Bank, which became part of Lloyds in 1918.
Ichabod Wright, an ironmonger and timber-merchant, founded the bank in 1760 at his Long Row premises, formerly the Antelope Inn. The banking business was moved to this site in Carlton Street, in 1795.
At that time, Carlton Street was called Swine Green, taking its name from an open space beside Broad Street. This area, marked by Nottingham’s Headless Cross, was the earliest site of the famous Goose Fair.
The Green was originally a place where pigs were taken by their owners and placed in the charge of a swineherd, who drove them to pasture for the day. The position of ‘Common Swyne-Heard’ was for centuries an office filled by a council appointee.
The area now bounded by Broad Street, Lower Parliament Street, Clumber Street, and Pelham and Carlton Streets was once a large park. It was divided long ago between the Gregory and Thurland families.
In one part stood Thurland Hall, built by Thomas Thurland in 1458 and demolished in 1831. Also in the park was one of Nottingham’s finest mansions. The Gregorys replaced this mansion with a house in 1674, itself replaced by the building that you are now in.
Prints and text about Lloyds Bank
The text reads: This bar was the first of J D Wetherspoon’s highly successful Lloyds No.1 chain. It was name after this building, which is a former branch of Lloyds Bank
The bank was founded in Birmingham, in 1765 by John Taylor, a maker of buttons and japanned goods, and a Quaker ironmonger, Sampson Lloyd II.
Taylor was described as ‘the Shakespeare or Newton of … the commercial hemisphere’. Starting as an ordinary worker, he went on to set up one of the city’s largest businesses, with more than 500 employees.
For almost a century, Taylor & Lloyds operated from Birmingham, as a private bank. However, after the link with the Taylor family ended, the firm became a joint-stock bank, Lloyds Banking Company Limited.
The business relocated to London in the 1880s, having taken over a bank founded there in 1771 by the sons of the original partners. With this purchase, they also acquired their famous black horse symbol.
Lloyds acquired this building in Carlton Street in 1918, when they took over the Capital and Counties Bank. This group had previously absorbed Wright’s Bank, for whom these premises had been built in 1860 at a cost of £3,000.
Photographs of Market Place
Illustrations and text about Market Square
The text reads: A short stroll down Pelham Street from this Lloyds No.1 Bar will bring you to Nottingham’s imposing Council House. Probably the city’s best-known building, it has dominated Market Square since the 1920s.
The Council House stands on the site of the Exchange, a redbrick building erected in the 1720s, designed by Marmaduke Pennell, who was then Mayor of Nottingham. It is recalled by the Exchange Arcade and Exchange Walk.
The front of the Council House is famously guarded by stone lions designed by Joseph Else, principal of the city’s School of Art from 1923 until 1939. His name lives on in the Wetherspoon free house across the road from his lions.
Above The Exchange, Market Place, 1726
Left: The Old Exchange, 1751, repaired and ‘beautified’ in 1814–15 and demolished in 1926
Right: Market Place, 1837.
A photograph of the installation of Lord Trent
The text reads: Installation of Lord Trent (centre) as Chancellor of the University of Nottingham, 3 May 1949. John Campbell Boot, 2nd Baron Trent, was the son of Jesse Boot. He turned the Boots Company, founded by his father, into a major national company.
External photograph of the building – main entrance
JD Wetherspoon PLC would like to thank Picture the Past for their generous assistance in compiling the display of local history in this Wetherspoon Lloyds No.1 free house.
Picture the Past is a not-for-profit project, started in 2002, that aims to make historic images available from the library and museum collections across Nottinghamshire and Derbyshire.
By mid-2010, over 80,000 photographs, postcards, engravings and paintings had been added to the website.
Images courtesy of the following:
Nottingham City Council
L Cripwell
Samuel Bourne
K Brand
Bernard Beilby
J Orton